Lunchboxes, Clay, and Dinner

Over the past decades technology and globalization have increasingly leveled the playing field in terms of the cinematic quality of films across the globe. In turn, many foreign films, previously unique in form, have begun to gain an increasingly Hollywood aesthetic. This “Hollywood-ization” of foreign cinema is nowhere more evident in films like Italy’s The Double Hour, or France’s  Heartbreaker. This year India shows it too has joined the global 1D aesthetic with The Lunchbox, an endearing film so local in story yet universal in theme.

Continue reading